By Mikki
Once upon a time, there were female impersonators all over the place. It was a mainstay of burlesque. There was even a Broadway theater named for Julian Eltinge.
Likewise female impersonator nightclubs... a few of the venerable ones like the 82 Club lasted a while longer and several television variety shows would have female impersonator acts – Dinah Shore was probably the last of TV shows to have them on, circa 1960. I was in the DC area and we had a bunch of clubs, including the Golden Key Club in North Beach, Maryland. We still have a few clubs, but not even close to what we had in the “olden days.”
I found out about 82 Club (aka Club 82), my favorite by far, from friends at the Golden Key Club, and when I went to work in LA, that same friend told me about the Queen Mary Nightclub. “The Queen” was large and had a back bar that was very CD/TG/Drag-friendly. And when I went to work in San Francisco, the venerable Finocchio’s was there waiting for me. My great surprise there was that the beauty I saw (and fell instantly in love with) in the Jewel Box Revue when I was 13, LaVerne Cummings, was the star of the show.
The 82 Club lasted until 1978. Finocchio’s and the Queen Mary hung in there until 1999 and 2003, respectively with “The Queen” devolving from live into lip sync. Today, you have to go to Vegas or Bourbon Street in New Orleans to find a dedicated female impersonator club.
Female impersonation just faded into the background, but RuPaul is responsible for exhuming it in a public way. Of course, there are bars all over the country that have drag on occasion, but RuPaul put it back in the open.
Now I’d probably be hard pressed to find a town of a moderate-to-larger size that doesn't have some sort of drag brunch. Here in Baltimore, we have a very active drag scene. And the closest thing to a Jewel Box Revue we have are those RuPaul’s drag queen contestants on tour. The two I've been to were in large venues that were packed. The audiences were way more "civilian" than our community. My friend and I were the only two “ladies” at the shows.
Drag/female impersonation has gone from ubiquitous to dedicated show bars, back to local bars and now back out in the open, if differently, thanks to RuPaul. But dedicated clubs are still as rare as hen’s teeth. And maybe the audience has reverted a bit toward the people who went to see female impersonation back in burlesque, not surprised to see it and comfortable with it when they do see it.
And the RuPaul tours play to largely packed houses. So watching this “evolution” makes me think that drag and female impersonation will be around for a long, long time. And it’s probably going to creep onto television bit by bit until it and we are going to be hardly noticed. And we won’t have to be nearly as concerned about acceptance.