Wednesday, December 11, 2024

Remembering Tapestry

By Paula Gaikowski (paula.gaikowski@gmail.com)

One of the greatest strengths of Femulate is the sense of community it’s created. For many of us, it’s a daily gathering place where we can check in with one another, offer support and share our experiences. It’s a space where we can be vulnerable, share our struggles and celebrate our successes. Just like any neighborhood, we may have our disagreements, but we also have a deep sense of camaraderie and look out for one another.

Being part of this community is like being at home. It’s a feeling of comfort, acceptance, and belonging. I often start my day by checking the blog and it’s always reassuring to know that I’m part of a space where I can be my authentic self. This blog has created a haven for us, a place where we can be ourselves without fear of judgment or rejection. That’s what makes it so special.

Back in the 1970’s and 80’s, being a transgender felt incredibly isolating. One of the few ways I felt connected to others like me was through media. I remember writing an article for Femulate about the 80’s talk shows that featured transgender women and crossdressers. Seeing myself represented on television, albeit in a limited and sometimes stereotypical way, gave me the sense that I wasn’t alone.

To find more information and connect with others, I would sometimes visit an adult bookstore in Passaic, New Jersey. This derelict place with its peeling paint, flickering lights and seedy clientele, exuded a sense of decay and despair. This was all that was available. I would buy magazines that catered to “transvestites,” which would feature articles and pictures of persons who had transitioned or crossdressed. Although I may not have known much about these individuals, seeing their faces and reading about their experiences gave me hope and a sense of connection.

One magazine stood out from the others: Tapestry, published by the International Foundation for Gender Education in Waltham, Massachusetts. While it covered important topics like transgender rights and transitioning in the workplace, what truly resonated with me was the personal ads section in the back. Trans cross-dressers and transgender women would share brief stories about themselves, creating a sense of intimacy and vulnerability.

The profiles I discovered were striking – professional women, dressed to impress, with high heels, makeup, pantyhose and dresses. They were the epitome of 1980’s office attire. But what struck me most was that they were living their lives in secret, hiding their true identities behind a veil of femininity. They didn’t identify as fetishists or seeking hookups. They were simply trying to connect with others like themselves. I want to know more about these persons if anyone knows, recognizes or is one of these persons please share. [Stana was one of those persons. - Ed.]

Using the term “transvestite” was the norm at the time and I remember seeing it in print. These individuals were hiding their true selves, often behind post office boxes or pseudonyms, due to the overwhelming taboo surrounding transgender identities. But what was clear from these profiles was that I wasn’t alone. There were others across the country, living similar lives, struggling with similar feelings of isolation and longing for connection.

Tapestry magazine was a lifeline for me, providing a platform for these individuals to share their stories and find community. I would eagerly look forward to each new issue, feeling a sense of connection to these strangers who had become like neighbors to me. Little did I know, the Internet was on the horizon, about to disrupt the lives of these individuals and others like me, eventually giving rise to Femulate, a haven for transgender persons to find sisterhood and community.


Wearing Paige
Wearing Paige



Spanky and Alfalfa, ballet femulators

Spanky and Alfalfa, ballet femulators
Our Gang/Little Rascals ballet femulation
(Top) Spanky (George McFarland) and Alfalfa (Carl Switzer) in a 1937 Our Gang comedy titled Rushin’ Ballet.
(Bottom) Alfalfa (Bug Hall) and Spanky (Travis Tedford) in the 1994 film The Little Rascals.
(Click here to view both femulations on YouTube.)

12 comments:

  1. Knowing you are not alone is so important, and the internet has enlightened many of us. I well remember the feeling of isolation until I started to discover other like minded people, firstly through some fora and then blogs like Femulate and then social media. Hopefully I may even have played my own small part.

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  2. I remember Tapestry well and was also fond of Ladylike I have some of them in pdf form now

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  3. Thank you for this post. I find it's good to see where we've been to help us appreciate where we are now. You're so very right about the sense of community that this blog has created. It's a treasure to many of us❤️

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  4. Paula, thanks for your excellent comments. I gratefully appreciate everything you write. It fits me perfectly but I could never express it as you so artfully do. XOXO!

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  5. It's too bad Bug Hall ('94 Alfalfa) went full MAQA and turned into a transphobe.

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  6. Stana Do you have a copy of your ad from Tapestry? If not can share the experience? Paula G

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  7. Knowing you are not alone is important. However, in the eighties when I saw crossdressers on talk shows it frightened me. In particular I remember Morton Downy asking some crossdressers, "where do you guys go to the bathroom?"

    Often I wasn't comforted by those guests who sometimes appeared to be deer caught in the headlights or the hosts who craved the opportunity to insult them.

    I remember a "Dr." who had a sex talk show and she had a Chicago crossdresser as a guest. She kept pressing him whether or not he dressed up as a woman simply to secure dates with men. He was not, but it was painful to listen to.

    Anyway, those are my thoughts.

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  8. I also remember Tapestry and Ladylike. They did make me feel that I wasn't alone and that was a big deal. I just wanted to blend in. I do have to say that the Internet changed the world though, with information literally at the fingertips at every moment of every day. Following blogs such as this, (thanks Stana) is a lifeline for all those in search of "normality", whatever that means to you. 😉

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  9. I realized that I surely was not alone and they were expert femulators. Just to think it wasnt until in my later teens that I found a bookstore that had another section in the back with various types of porn. I think it was “Illusions” that was for TVs. Comics or these magazines? Was a choice one needed to make. So buy comics and tuck in casually the magazine. I was so intrigued in how common to me this seemed. Wow, and several magazines available. Brenda BTW I was scared when I bought magazines in Times Square so I mailed them to my PO Box afraid I may get stopped at the border and they would find them.

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  10. I certainly remember Tapestry and JoAnns, Ladylike. Both wonderful magazines. I actually had the chance to visit the Tapestry house in Massachusetts once. I had a friend who was iving there. I have since lost all the copies I had I did keep track of my friend who became a nieghbor for bit and then moved away. She seems to have totally disappeared now I use to see her on Social media for awhile but I don't even see her there anymore I hope she is still with us. I you're out there Kim give a call or email Sallee

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  11. Possibly my first exposure to crossdressing, other than my own experimentation, was Christopher Morley in Freebie and the Bean. I loved that movie for several reasons: 1. It took place in San Francisco; 2. My high school band was invited to appear (the band director pulled out when he learned that a car chase would go right through the band), 3. It seemed funny at the time, 4. Christopher Morley. However, I purchased the DVD a couple years ago and hated it. About as homophobic as you could get and Christopher's character was the murderer. The credits listed Christopher's character as Transvestite. No character name. I have since noticed how Hollywood has done more harm than good when it comes to TG. How often is the CD character a joke or someone to be repulsed by. So while exposure is good how much of that exposure led to our own dislike of ourselves and our own insecurity. The subconscious message has very often been that we are to be laughed at or repulsive.

    Sorry for ranting.

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  12. Paula,
    I remember Tapestry from the pre-Internet days very well. I knew Kay Gould, one of the ladies in the profiles you posted. Kay was a prolific advertiser, poster and even had a column (Kay's Way) in one of the publications of the day. I wrote to Kay through one of her ads and after exchanging a few letters and calls, we met when she held a housewarming party at her pied-a-terre in Washington D.C. We later met at a few fabulous and memorable fetish parties. She withdrew from the scene in the early 1990s and I lost track of her.

    Rhonda's Escape had a blog entry about Kay a few years ago and I replied to the post with more details. Unfortunately it appears Kay passed away in 2014. You can read more about Kay in Rhonda's post, which also has some comments from myself at: https://www.rhondasescape.com/2017/08/kay-gould-escape-pioneer.html

    Raquel DePatenta - you may contact me via Facebook.

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